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Real-Life Activities

Real-Life Communication

Set designers often plan plays that will be produced in other cities. They have to communicate their vision to the director, technical director and artistic directors.

"You're either faxing or e-mailing or sending models with an explanation," says set designer Scott Reid.

Imagine you're designing the set for a production of Little Red Riding Hood. Briefly describe the sets for two scenes.

One is the first scene when the little girl is happy at home, getting goodies to bring to her grandma, then happily skipping through the woods. The other scene is at the end, when the little girl discovers the wolf in her grandma's bed and then the woodcutter kills him.

What are the moods of the scenes? Will the lighting be soft or harsh? Bright or dim? What about the colors? What are the important props you need? What does the furniture look like?

Don't get too detailed -- just write down the most important aspects. Make sure you're clear how you'll create the desired moods and emotions of each scene.