Expand mobile version menu

Real-Life Activities

Real-Life Communication -- Solution

Here's what you could write:

The first scene includes a counter where Little Red Riding Hood's mother is preparing a basket of goodies. Off to one side are bright green trees. The whole set is brightly colored, from the girl's bright red clothing to the flowers around the house. The lighting is soft and bright, giving a warm, happy feeling.

The other scene is darker. It depicts the grandmother's house to one side, with a bed and a chair. The colors are not as bright inside the house or off to one side where the trees are. The lighting is harsh, so the dark green trees are casting shadows. The mood is of danger.

The need for strong communication skills is "more than extreme" for set designers, says Scott Reid. They need to constantly communicate with all members of the production team. Set designers consider many different opinions when designing a set.

"I think everybody looks at things a slightly different way," says Reid. "Quite often, you're trying to take your views the views of the playwright, and the views of the director and put them into a cohesive unit. Communication really is the key word here in theater."

Set designer Allan Stichbury thrives on interaction with the co-creators of a project. His favorite part about set design is "working with people...the fact that it is always a collaborative event."